RANI JHANSI (1835 – 1858 )
Rani Lakshmi Bai, the fiery Queen of Jhansi, also known as the Rani of Jhansi, one of the great nationalist heroine of the first war of India freedom, a symbol of resistance to the British rule in India was born on 19th November 1835 at Kashi (Presently known as Varanasi). Her father Moropanth was a Brahmin and her mother Bhagirathibai was a cultured, intelligent and God fearing lady. Mannikarnika (Manu) was the name of Rani Lakshmi Bai in her childhood. Manu lost her mother at the age of four. The Complete responsibility of the young girl fell on the father. She completed her education and also learned horse riding, Sword fighting and shooting on a target with a gun.
She was married to Raja Gangadhar Rao, the Maharaja of Jhansi in 1842, and became the Rani of Jhansi. After the marriage She was given the name Lakshmi Bai. The Marriage ceremony was perform in Ganesh Mandir, the temple of Lord Ganesha situated in the city of Jhansi. Rani Lakshmi Bai gave birth to a son in 1851, but unfortunately this child died when he was about four months old. After this tragedy, Damodar Rao was adopted as son. Later on Maharaja Gangadhar Rao also died on 21st November 1853. After the death of Maharaja Gangadhar Rao, Rani Lakshmi Bai was left alone. At this time she was eighteen years old. Rani Lakshmi Bai did not lost her courage, She always remembered her responsibility.
At that time Lord Dalhousie was the Governor -General of India. Though little Damodar Rao, adopted son of late Maharaja Gangadhar Rao and Rani Lakshmi Bai was Maharaja’s heir and successor as per the Hindu tradition, but the British rulers rejected Rani’s claim that Damodar Rao was their legal heir. Loard Dalhousie decided to annexe the state of Jhansi as Maharaja Gangadhar Rao had left no legal heir. This misfortune of Jhansi was used by the Britishers to expand there Empire.
In March 1854 the British ruler announced 60,000 ( Sixty Thousand) annual pension for Rani and also ordered to leave the Jhansi fort. Jhansi was in humiliating condition but it was like a silent volcano before eruption.
Rani Jhansi was determined not to give up Jhansi. She was a symbol of patriotism and self respect. Britishers were making every effort to destroy the freedom of country whereas Rani was determined to get rid of Britishers.
Rani Lakshmi Bai strengthened the defense of Jhansi and she assembled a volunteer army of rebellions. Women were also given Military training. Rani was accompanied by her brave warriors, some of them were Gulam Gaus Khan, Dost Khan, Khuda Baksh, Lala Bhau Bakshi, Moti Bai, Sunder-Mundar, Kashi Bai, Deewan Raghunath singh and Deewan Jawahar Singh. Along with all these warriors the local population of Jhansi irrespective of their religion or caste were always determined to fight and give their lives with pleasure for the cause of Independent and their beloved Rani.
The Britishers attacked Jhansi in March 1858. Rani Jhansi with her faithful warriors decided not to surrender. The fighting continued for about two weeks. Shelling on Jhansi was very fierce. In the Jhansi army women were also carrying ammunition and were supplying food to the soldiers. Rani Lakshmi Bai was very active. She herself was inspecting the defense of the city. However, after this great war, Jhansi fell to the British forces.
On that black day, the British army entered the Jhansi City. Rani Lakshmi Bai, still full of courage and deathless patriotism dressed as a man, took up arms, her son Damodar Rao was strapped tightly to her back. She was holding the reins of her horse in her mouth. In the fierce fighting she was using the sword with both her hands. When the situation was not in control, Rani of Jhansi with some of her warriors departed from Jhansi.
Rani Lakshmi Bai reched Kalpi. Many other rebellions force joined her. Tatia Tope from Kalpi was also one of them, from Kalpi Rani departed to the Gwalior. Again a fierce battle took place. Rani Jhansi fought with deathless patriotism and martyrdom. However on the second day of fighting, the great heroine of the first struggle for India freedom, at the age of 22 years, lost her life. That unfortunate day was 18th June of 1858.
Contents
- 16 Facts About Ancient India
- About Ancient India
- Achievements of Ancient India
- Ajit Singh Memorial
- Amorous Couple "Maithuna"
- Ancient Coins of India
- Ancient India
- Ancient India Civilizations
- Astronomy and Mathematics in Ancient India
- Durga
- Figure SculpturesAjit Singh Memorial
- Hall of Heroes
- Indian Empires
- Indian Kingdoms
- Jodhpur
- Jodhpur Rajasthan
- Mandor Gardens
- Mandor Gardens Jodhpur Rajasthan
- Mauryan Empire under Asoka
- Pictures of Ancient India
- The Ancient Indus Civilization
- Tour Jodhpur Fort
Thursday, December 31, 2009
Wednesday, November 25, 2009
Tour Jodhpur Fort
Wednesday, November 25, 2009
Covered palanquins were a popular means of travel for royal & noble ladies in purdah (seclusion) up to the 2nd quarter of the 20th Century. The open ones were used by the royal & noble men on special occasions.
This unusual palanquin came to Jodhpur as war booty when Maharaja Abhaya Singh (the one who murdered his father to be king), defeated the Mughal Governor of Gujarat in 1730. It’s a stunning blend of Gujarati and Mughal traditions. The carved woodwork decorated with gold leaf is distinctly Gujarati, while the dome-shaped canopy, & the iron latticework decorated with floral motifs, is inspired by 18th century Mughal architecture. The main structure contains an ample bed, enclosed in rectangular panes of glass divided by scalloped arches. Some of the glass panes are original. It took 12 men to carry it & was used only by the Maharaja for special festivals & to meet and greet kings.
which are said to feature over 250 different designs. This rare & unique collection of beautiful cradles, includes a motorized one made in 1948 for the current Maharaja of Jodhpur
the glorious blue ceiling
This gallery is housed in the zenana (women's apartments) area in the former Jhanki Mahal, which is aka the Palace of Glimpses & the Peeping Palace. That's because the women of the royal household could peep through the stone jali (latticed) screens from here & watch the activities in the two courtyards bleow. (Purdah was strictly enforced by the Rajputs in medieval times, so the women’s quarters were fitted with latticed screens to allow the royal women to peek outside without being seen themselves.)
Rajputs, being a warrior tribe, loved their weapons & took great care of them. This gallery displays a rare & impressive collection of armor & weapons from every period in the history of Marwar Jodhpur.
On display are swords & daggers with hilts of jade, silver, rhinoceros horn, & ivory; shields studded with rubies, emeralds & pearls; guns decorated with gold & silver; & other rare & unusual instruments of war. The gallery also has personal swords of many of the Maharajas & Emperors
Jodhpur was on the important Delhi to Gujarat 'silk route' & the city was built on the profits of opium, & dates & copper.
bamboo screen
An ornate winding staircase
A door with intricate carvings
portal
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